已額滿
已額滿
• Kacey Wong • Martin Cheung • Vinci Mok • Guo Jiayuan • Zhang Caisheng Samson Cheung + Huang Fuquan
Date: January 23-24
Time: 2pm-7pm
Wandering spacecraft
Kacey Wong
The "Wandering Space" is a mobile three-wheeled camper that looks like a spaceship recovery bin. It symbolizes exploration, exile, and conquest. There are storage, cooking and sleeping devices in the car, allowing users to stay in urban or outdoor spaces for a short period of time. The artist will perform "life" in this work during the "Yuanye Life Festival" exhibition, arousing the audience's imagination of living and Kai Tak runway space.
Kacey Wong
Huang Guocai's experimental works explore the meaning of people, society and political life space. Wong was born in Hong Kong in 1970. In 2010, he was awarded the Artist of the Year Award by the Hong Kong Arts Development Council, and the Hong Kong Art Advancement Award and Excellent Art Education Award in 2003. Bachelor of Architecture from Cornell University, Master of Sculpture from Cursey University, UK, Doctor of Fine Arts from Royal Melbourne Institute of Technology, Australia. He has planned and exhibited a number of exhibitions with the theme of space and city: Housing Enterprise (1999), My Skyscraper (2000), Urban Space (2001), Free City (2001, 2002, 2010), etc. Since 2000, he started his "Free City" photography series, wearing skyscraper clothes playing the role of a building, searching for utopias around the world and publishing a photo collection of "Ten Years of Free City" (2010). The one-person tricycle house "Wandering Home" designed by him was selected to represent Hong Kong in the Venice Architecture Biennale in Italy in 2008. In 2010, he drove his "Drifting Family" small houseboat floating on Hong Kong's Victoria Harbour at the Shenzhen Bi-City Biennale of Urbanism\Architecture, Hong Kong. In recent years, he has taken his works to the streets of demonstrations and actively participated in social movements in an artistic way, linking art with resistance.
See it today D
Martin Cheung
The human visual system has the ability to reconstruct the two-dimensional projection of the external world into a three-dimensional world.
Through the eyes, the scene is projected upside down onto the retina, and then transformed into the normal world that we have always known by the brain.
This work is divided into two parts. The first part is a wooden obscure box that has been placed in the exhibition area for a long time, allowing the viewer to understand the principle of imaging in a simple way. The second part is the collective creation of artists and audiences. At certain times of the day, the artist and the audience will use the method of origami to fold out the black box and wear it on their heads and walk on the grass.
This work attempts to remove the connection between the brain and eyes of the participants, and present the original appearance of the retina to the participants, providing an alternative visual experience.
What will it be like when fifty participants with their heads covered by black boxes walk on the seemingly free lawn?
See Zhen D collective creation today
Date: January 23
Time: 3pm-4pm
*Limited places, please click here to register first
Martin Cheung
Born in Hong Kong in 1978, he studied photography art, likes to work in a dark box, and loves Cantonese siu-mei.
In 2001, he graduated from Victoria College of Art, Australia, with a Bachelor of Honours, majoring in Fine Art Photography.
Zhang's most popular pinhole work is a conceptual work taken in Melbourne's Chinatown-Duck Cam-Melbourne (2001) that transforms roast duck into a pinhole camera.
From a roast duck, to a twenty-foot container, to pinhole photography taken in a movie theater, all of them are collected by the "Pinhole Resource Center" of the United States.
肢體跟土地對話工作坊
<Send Sea Festival> Environmental Dance Performance
Mo Yingshi@形艺祭(Vinci)
If death is the ultimate manifestation of loneliness,
Does civilization mean the decline of a period of history, a spirit, and some attitudes?
Where is the source? Where is the soul!
When fish forget the sea, leaves forget the roots, people forget the land...
Surrounded by the lingering smell on the runway,
Maybe I can only use my dancing limbs to say goodbye to the sea.
Physical performance
Mo Yingshi@形艺祭(Vinci)
Live music performance: Li Wensheng, Qiu Lixin, Shi Jiayin
Date/Time: 3:30-4:00pm, January 23
January 24 4:00-4:30pm
Workshop on Dialogue Between the Body and the Land
Date: January 23
Time: 4:30-5:30pm
(The workshop will be held barefoot, please wear comfortable, convenient activities and clothing)
*The workshop has a limited number of places, please click here to register first
Vinci Mok
A diverse artist, he studied drama at the Academy of Performing Arts and also took a diploma course in fashion design at the Bai Yingqi Professional College. He has been a reporter for fashion, women, culture, film, music magazines and film art director. In 2005, he decided to return to the stage to pursue his dreams and continue to learn art. Now he is mainly active in the front-scene creation platform such as figure, theater, dance stepping, modern or improvisational dance, folk theater, performance, etc., but also occasionally wanders in community art and music. , Art education, stage costume/set design or installation art, etc., and write dance columns and art special articles for newspapers and magazines. In recent years, in addition to cooperating with local non-mainstream/traditional independent dance companies, theaters, disability inclusion or children’s performing arts organizations, they have also cooperated with Japan, Taiwan, Beijing, Thailand, Malaysia, South Korea, Germany, Switzerland, Eastern Europe, etc. I have collaborated with alternative/popular theater, dance performance groups or performance/performance troupes, and have also been invited to participate in many overseas art festivals as guest performances and dance/physical workshop tutors/guides. The Xingyi Festival was established in 2010. The purpose is to provide Hong Kong’s inertial or established art framework with more possibilities for performances to blend in with music, installations, paintings, text, and images through collaboration with other overseas performers. There is an opportunity to really promote to more general community grassroots and beyond the traditional stage like the ivory tower.
"When I stand in the forest and close my eyes, I hear..."
Guo Jiayuan
Share the story of the earth by talking and dancing, and collect the stories of different people on the spot during the performance, and make their content part of the performance.
Performance time
Date: January 23 and 24
Time: 2:30pm-2:45pm
3:15pm-3:30pm
4:00pm-4:15pm
Guo Jiayuan
Hong Kong dancer, workshop instructor and model.
Former dancer of Taiwan Wushou Dance Theater.
He was the artist-in-residence at the Freeman Art Apartment in the 435 Art and Cultural Special Zone, Banqiao, Taipei.
"Temporary Personal Care Unit" performance time
Date: January 23 and 24
Time: 2:00-7:00pm
Samson Cheung
When I was young, I dreamed of becoming a farmer, bus driver, football player and geographer, but the university majored in business administration. Now I regard the art creation process as a platform for lifelong learning, and I am fortunate to be able to see the sea every day.
After obtaining a postgraduate diploma in photography from the Hong Kong Institute of Professional and Continuing Education in 2012, he began to create seriously. In 2013, he opened his ears and explored the medium of sound originated from the coffee traces on a coffee cup. In 2014, he paid his own pocket for the voice and was selected as a young artist in the 2014-15 "Artist Support Program". In 2015, I went to Chicago "Experimental Sound Studio" and Taipei "Water Valley Art" as artist-in-residence respectively, and found that I wanted to explore how to integrate the work model of an ecological researcher into my daily creation.
Experience the basic principles of nature from the perspective of space and sound, and participants will be placed in the scene being portrayed.
Temporary Personal Care Unit
Samson Cheung
I will use the lampshade to hover over your head at irregular speeds, distances, and directions.
It's a bit like picking up a hair dryer and blowing it to your ears. It feels cold and warm.
But I will be by your side anyway,
You can choose to watch the sea quietly while enjoying the services I provide.
You can take advantage of this short time to chat with me.
Of course, you can also close your eyes or take a nap,
The blindfold is ready.
Flying object
Huang Fuquan
Turn a portable radio that emits white noise into a flying object
And put the audience in the center of the flight path
Under the control of the commander
Flying objects circle the audience in different shapes and speeds
Derived an invisible but full of energy field
A space running with different logics is briefly split up
" Flying Object " performance time
Date: January 23 and 24
Time: 5:00-7:00pm
Wong Fuk Kuen
Fuquan believes that there is a lively space outside the cognitive realm that has been constructed in daily life. This unknown place has guided his creation and the reasons why he uses sound and environmental space as expression methods.
He graduated from the School of Creative Media, City University of Hong Kong. His sound sculpture The Telescopes was exhibited in the Annual Exhibition of the Creative Media Academy (2012) and the 18th IFVA Interactive Media Group. In the summer of 2014, when he was the artist-in-residence at the "Listen in" Sound Art Festival in Kyoto, Japan, he created his second work, Aminoscape, again using water pipes to continue to explore the infinite uniqueness of sound, environment, and space.